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Männer im Trenchcoat, Frauen im Pelz

Männer im Trenchcoat, Frauen im Pelz

Film noir, which enjoyed particular success in the 1930s and 1940s, is probably the most profound genre of classic Hollywood cinema. Eckhart Schmidt tries to show the background and developments and speaks, among others, with directors such as Richard Fleischer and Robert Wise as well as with "femme fatale" actresses. Filmmakers of the following generations explain how the style and themes of noir continue to shape cinema today..

Trenchcoat in Paradise

Trenchcoat in Paradise

Eddie Mazda, un détective privé au nez fin est forcé de quitter Jersey City après des doutes sur son intégrité. Il décide d'ouvrir une agence d'enquête à Hawaii, et il est rapidement mis sur une affaire : le meurtre d'un promoteur immobilier. Au fur et à mesure de ses investigations, il va en apprendre plus sur l'assassin, et sur les malversations des habitants de l'île....

Three Children in a Trenchcoat

Three Children in a Trenchcoat

A man is building an electronic machine, which purpose is unknown. His wife, who is living with him falls in love with another man (Mr.Nowak)(who in reality are three children in a trenchcoat), threatening the relationship. Her Husband becomes increasingly insane as nobody else is noticing the obvious fact, that it’s three children in disguise. We follow the relationship of Mr.Nowak, who becomes an alcoholic, and the woman and her sexual frustration with her new „man“. It ends with a death, with a human-annihilation-machine, a philosophical look into Hölderlins poems, and the realisation, that being an adult isn’t all that fun..