A la mort de Beethoven, Anton Schindler, son légataire testamentaire, découvre un testament annulant les précédents, dans lequel le compositeur exprime son intention de léguer tous ses biens à son "immortelle bien-aimée". Contre l'avis de la famille, Schindler décide d'accomplir la volonté du maître et pour cela de découvrir l'identité de cette mysterieuse femme..
Acting : Ludwig van Beethoven
popularity : 6.247
Tous les films de "acteur / realisteur" Ludwig van Beethoven en streaming gratuit.
An odyssey through Beethoven’s lasting presence and influence in our modern world – viewed through the eyes of the composer himself..
Symph. No.1, 2, 3, - Enregistré en janvier et février 1984 à la Philharmonie de Berlin Symph. No. 4 - Enregistrée en nov. 1982 à la Philharmonie de Berlin Symph. No. 5 - Enregistrée en sept. et déc. 1983 à la Philharmonie de Berlin Symph. No. 6, 7 - Enregistré en nov. 1982 à la Philharmonie de Berlin Symph. No. 8 - Enregistré en janvier et février 1984 à la Philharmonie de Berlin Symph. No. 9 - Enregistrée en sept. et déc. 1983 à la Philharmonie de Berlin.
Acting : Anne Van Ludwig
popularity : 0.01
Tous les films de "acteur / realisteur" Anne Van Ludwig en streaming gratuit.
Two years prior to the opening scene, the nobleman Florestan has exposed or attempted to expose certain crimes of the nobleman Pizarro. In revenge, Pizarro has secretly imprisoned Florestan in the prison over which Pizarro is governor. The jailer of the prison, Rocco, has a daughter, Marzelline, and a servant (or assistant), Jaquino. Florestan’s wife, Leonore, came to Rocco’s door dressed as a boy seeking employment, and Rocco hired her. On orders, Rocco has been giving Florestan diminishing rations until he is nearly starved to death. Place: A Spanish state prison, a few miles from Seville; Time: Late 18th century..
Documentaire sur le maître compositeur, du point de vue de la RDA..
Les chefs d’orchestre Andris Nelsons, Klaus Mäkelä, Riccardo Chailly et Petr Popelka dirigent successivement les quatre mouvements de la "Symphonie n° 9" de Beethoven. Un concert événement qui célèbre le bicentenaire de la création du chef-d’oeuvre de Beethoven..
Known as much for the richness of his symphonies, concertos, sonatas and chamber music as he is for his personal struggles (including deafness), Ludwig van Beethoven is undoubtedly one of the most accomplished musicians of all time. As part of a comprehensive series of films celebrating the most influential European composers on record, this educational program is as much an introduction to Beethoven's works as it is a tribute to his genius..
The film begins with a visualization of Beethoven's Piano Sonata No. 32 in C minor, Op. 111, and Wyborny nearly misses the first movement. Yes, the "savage and bare fire" (Kaiser) of this tempestuous last piece of Beethoven nearly tears him apart. He who, while the aggressive Allegro explodes (when the sonata has begun to spread out with a deliberately "false" address in the old French overture rhythm), gets wrapped up in every pause and every peak; he who absolutely wants to work on these dialectical poles of tension in the finest agogic gradations, to shape the contrasts of the tempo in an angular way, will be torn apart. Wyborny escapes from the abyss, Beethoven would have done the same in an emergency, improvising on his own. Many spectators probably did not notice the drama. Others noticed it, were shocked, pulled themselves together, took a breath - and then were overwhelmed by the ingenious solution..
Ludwig van Beethoven (1770-1827) Missa solemnis, op. 123 Marlis Petersen Elisabeth Kulman Werner Gura Gerald Finley Orchestre Royal du Concertgebouw Amsterdam Nikolaus Harnoncourt.
Felix Mendelssohn Concerto for Violin and Orchestra in E minor, Op. 64 Ludwig van Beethoven Concerto for Violin and Orchestra in D major, Op. 61 Nikolaj Znaider, violin Riccardo Chailly Gewandhausorchester Leipzig.
One of the highlights of Simon Rattle’s 16-year tenure as chief conductor of the Berlin Philharmonic was his final cycle of the Beethoven symphonies (BPHR160091), a set that rightly walked off with the 2016 Limelight Orchestral Recording of the Year. Now that he has moved to London, as a more than worthy pendant, the BPO has released a compelling set of the Beethoven piano concertos from 2010 with Mitsuko Uchida, a cycle that possesses all the advantages of live performance with, as far as I can hear, none of the drawbacks..
