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Krapp's Last Tape

Krapp's Last Tape

A 69 year old man sits alone on his last birthday and listens to the past. KRAPPS LAST TAPE is an extraordinary study of mortality, creativity and memory..

Krapp's Last Tape

Krapp's Last Tape

In Krapp's Last Tape, which was written in English in 1958, an old man reviews his life and assesses his predicament. We learn about him not from the 69-year-old man on stage, but from his 39-year-old self on the tape he chooses to listen to. On the 'awful occasion' of his birthday, Krapp was then and is now in the habit of reviewing the past year and 'separating the grain from the husks'. He isolates memories of value, fertility and nourishment to set against creeping death 'when all my dust has settled'..

Krapp's Last Tape

Krapp's Last Tape

In 1971, Alan Schneider directed an historic video taped performance of Samuel Beckett's Krapps Last Tape, starring Jack MacGowran. The play dramatized an old man’s struggle to repossess his youth by searching through reels of audiotape. This performance was originally intended for television but never shown and subsequently put away and forgotten for nearly twenty years. The videotape has been restored and will remain a memorial to the late Jack MacGowran, Alan Schneider and William Ritman..

Beckett Double Bill (Krapp's Last Tape / The Old Tune)

Beckett Double Bill (Krapp's Last Tape / The Old Tune)

Krapp’s Last Tape: James Hayes uses his natural Irish accent to deliver the best known of these works, a meditation on ageing. He plays the eponymous Krapp, a sad, lonely man recollecting emotion in tranquility with the assistance of a reel to reel tape recorder. Now somewhere near 70, he is reminded of the past, as a recording of his 39-year-old self recalls life a dozen years before. As such, we are able to glimpse the hope of relative youth, the acceptance of middle age failure and the resignation of an old man. The Old Tune: It features two old men sitting on a park bench next to a hurdy-gurdy and almost inevitably brings to mind the song from Gigi, “I Remember It Well”. As cars pass, irritating the men who fondly remember the days of horse-drawn carriages, every statement delivered by either Niall Buggy or David Threlfall, playing the grumpy septuagenarians, is instantly contradicted by his fellow, often to great humorous effect..