The story revolves around Mrs. Nu's family consisting of three generations living together in the same house. The one-handed Mrs. Nu is known for her crab cakes and is also notorious for controlling the lives of everyone, from her daughter to her son-in-law. Everything was going normally until the youngest daughter fell in love with a handsome guy from a rich family. The story depicts the complex, multi-dimensional relationships that occur with family members. The main tagline (message) "Everyone is at fault, but everyone thinks they are... the victim" contains many hidden meanings about the content the film wants to convey..
Three women take a break from men and move in together..
Snow Man members sharing house together in a luxurious mansion, and fulfilling the wishes / tasks set by various guests every week. The show has 4 episodes in total, which was on air in March 2022 in TV Tokyo..
A Man in Our House is a 1961 Egyptian film about the resistance to British rule in Egypt which ended in the exile of King Farouk in 1954 and the rise to power of Gamal Abdel Nasser..
Ce film est basé sur un véritable artiste de l'ère Meiji et raconte la relation entre Tochuken et sa femme, sa liaison avec une geisha et la détérioration de sa relation et de son mariage..
The film is about young village man and about forming his character..
Nick Greene is a documentary filmmaker recording his move from London to a smaller city. As he films his life he starts to notice paranormal activity in his new house and a possible demonic presence. The House on Mansfield Street is a chilling found footage to keep you awake at night. (IMDB).
A wealthy old man who has a dull complexion and has to hug a young man every night. The men continue to donate their bodies to the old man's legacy. This abnormally frenzied party eventually heads in an unexpected direction....
About the artist Ian Hellström (1925-2012) with his own museum. A tour of Ian's house is an adventure in art, antiques, skulls and dolls, all in perfect balance. Ian created various jewelry sculptures, a kind of collage with glass beads, brooches, simple jewelry and various toys, which were sometimes pasted into boxes with small compartments. His colorful art and cross-border life is captivating but not always easy to understand..
Quatre jeunes petits-bourgeois partent le temps d'un weekend au Siheyuan (maison traditionnelle chinoise avec cour intérieure) des amis de leurs parents en plein milieu de la campagne chinoise. Une fois sur place, ils sont surpris d'y trouver qu'un lugubre étranger qui les invite à entrer....
In a country house at the turn of a century live a family of eccentrics. Anastasia, the beautiful mistress of the manor, enjoys the amorous attentions of her stepson Blarney so openly that her husband Diapanasius takes out his shotgun and shoots her. The rest of the family accepts her end as a matter-of-fact, and soon - her return as a voyeuristic ghost who interferes with their love lifes. Anastasia has a posthumous son Tadeusz, "born" by clambering out of the tree trunk. Anastasia seduces him too, and drives another men so crazy that they kill her another couple of times. Finally, Tadeusz, the arch-rebel, leads a mob on a raid of the old manor..
Voices that take shape in memory, an empty house, a piano that is now missing. Vivian Forrester said that for Duras, the act of speech to achieve was love in its whole or absolute desire. The one that can be silence, or singing, or screaming. It is what governs memory and forgetfulness, suffering and hope. This video essay proposes a dialogue between two films: Morir... Dormir... Tal Vez Soñar (Manuel Mur Oti, 1976) & India Song (Marguerite Duras, 1975). On the one hand, to claim a beautiful forgotten rarity of Spanish cinema and on the other, to claim that cinema, after all, is a house with many voices..
Depuis qu'un mystérieux inconnu et son domestique se sont installés dans un manoir des environs d'un village provençal, une vague de crimes s'est abattue sur le pays et sème la terreur chez les habitants. Le jeune Jean Lormeau, refusant de céder à la peur, part à la rencontre de l'inquiétant propriétaire pour percer son secret..
After the collapse of the Soviet Union, Natasha immigrates as a child with her family to Germany. The film begins today, twenty years later, when Natasha returns for the first time to her unknown home. Natasha's time in Baikal Port is mainly structured through her everyday encounters with the people who live there. In different situations, she meets them and gets into conversations about employment and living conditions that are still marked by the effects of the Perestroika. While Natasha gains these intimate insights into different ways of living, she reflects on her own position and tries to make a connection with this place, which is a part of her identity. The cinematic drawing of intimate portraits of people living in Baikal Port as well as Natasha’s play- acting as a returning, identity-seeking figure is accompanied by an ever-present recording camera..
Ofelia is painter who struggles with her work as she lives in a stagnant relationship with her husband. The fact that he goes out everyday and she stays inside without being able to paint, only makes her feel more alienated. But one day she recieves a strange phone call, which will make her face the inner conflicts she’s trying to hide..
A man buys a house on a hill. A rat was there first, and proves to be unusually difficult to remove; it seems to think all the man's attempts to kill it are actually gifts. It loves the taste of the poison, thinks the trap is a sculpture, and so forth..
Une colocation au sein de laquelle les membres n'arrivent pas à se supporter et ne cessent de se disputer malgré leur croyance commune. Ce film dépeint, avec une curiosité distante et bienveillante, l'Église du St. Sépulcre à Jérusalem et son règlement intérieur, synonyme de bazar métaphysique. Cette observation minutieuse permet au spectateur de jeter un regard dans une dimension supérieure. La croyance restant une affaire profondément humaine avec ses haut et ses bas..
Londres 1921 : Le musée de cire classique d'un génial sculpteur est incendié par son associé véreux. Une dizaine d'années plus tard aux U.S.A. : le même sculpteur (atrocement brûlé et mutilé) rouvre un nouveau musée de cire consacré désormais au crime et aux supplices. Une jeune fille – sosie du chef-œuvre détruit de l'artiste – découvrira au péril de sa vie l'effroyable secret de « l'homme au masque de cire »..
French horror short from 1909..
