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Aida delle marionette
article/film

Aida delle marionette

The life and the work of the most important italian company of puppet theatre, during the performance of one of wonderful work, Aida: 250 marionettes, twelve artists, original music of Toscanini Aida. In front with children public, behind the curtain, from above....

Aidan Jones: Taco
article/film

Aidan Jones: Taco

I’m half-Colombian. My mum was backpacking in South America aged 22, came home and found out she was pregnant – that’s me. In 2019 I met my biological father for the first time. It got heaps of likes on Instagram, so I wrote a show about it..

Fascinating Aida Silver Jubilee
article/film

Fascinating Aida Silver Jubilee

Britain's top female comedy trio are 25 years old. (Well, actually they're a bit older than that) Back by popular demand after two nationwide sell-out anniversary tours in 2008 and 2009, the girls are still celebrating. Recorded live at the Theatre Royal Windsor, Dillie, Adele and Liza look forward to entertaining you with a night of hilarious new songs, beautiful harmonies and intricate, satirical lyrics..

Leontyne Price: The Art of Verdi: Aida: Act III
article/film

Leontyne Price: The Art of Verdi: Aida: Act III

Accompanied by the Montreal Symphony Orchestra, this 1958 production features acclaimed soprano Leontyne Price performing the third act of Giuseppe Verdi's "Aida," the role for which the legendary singer would become best known. Noted as the first African-American superstar of opera, the Presidential Medal of Freedom recipient enjoyed a long illustrious career, performing and recording for nearly 40 years..

Aida (1973 Tokyo)
article/film

Aida (1973 Tokyo)

Here, we catch Cossotto within the period when she was delivering the meatiest and arguably most satisfying singing of her career. Her voice in 1973 remains a beautiful, distinctive, and responsive instrument, one ideal for conveying both sides of Aida's rival, outwardly fierce yet vulnerable and, ultimately, noble in spirit as well as birth. Carlo Bergonzi's Radamés signs of age-related decline on the great tenor's part are few. The voice is a little thicker and less freely produced than in previous years, and there is evidence here and there of a slight "tug" on some notes from the passagio upwards. The soprano Orianna Santunione, is a far less familiar and celebrated name seems to labor to meet demands of volume, and in the early scenes gives the impression of conserving. However, beginning with her first aria, she begins to pull it together, and somewhere along the way her diligence and responsibility transmute into something more, something quite affecting..

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