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Don't Feed the Gondolas
Don't Feed the Gondolas is an Irish comedy panel show, that ran for four series on Network 2 between 1997 and 2001. The show was hosted by Seán Moncrieff and the longest-serving panellists were Brendan O'Connor and Dara Ó Briain. The name of the show is attributed to a remark made by a Wicklow County Councillor, Jimmy Miley, during a meeting regarding Blessington Lake. When the meeting proposed putting a gondola on the lake, he remarked: "That's all very well, but who's going to feed it?" A running gag of the show, whereby the host Seán Moncrieff would make prank calls under the alias 'Monica Loolly' and claim to be from a small town in Galway named Ahascragh..
Feeding Tomorrow
Food influences every part of our lives, yet our national agricultural system is going terribly wrong. From our emphasis on cattle farming and chemical fertilization to wasteful distribution, there is a direct connection between unhealthy soil and unhealthy people. Feeding Tomorrow poses one of the most important questions of our time: How can we feed the earth’s population of 8 billion people in a just, sustainable, and environmentally responsible way?.
Des chercheurs bravent une frénésie alimentaire du grand requin blanc à l’intérieur d’un leurre de baleine.
Researchers brave a great white shark feeding frenzy inside a whale decoy..
Feed The Whole Family
The mother-in-law and father-in-law became lovers, the same time as the marriage of Yeong-eun and Jeong-sik. The dizzying cohabitation of middle-aged lovers who stay hotter than a newlywed, and a newlywed couple who can't even burn hot as half of it begins..
Feed Me
On an old barge moored close to a small village inhabited by old people and children, live young Wang Wang and his grandfather. The latter is immensely fond of the local doctor, Ms. Bei, who keeps prompting him to buy her a ring as proof of his good intentions. Wang Wang attends the local school, but, in the absence of maternal authority, with great reluctance. Then, one night, a young pregnant woman is discovered hiding on the boat, ready to give birth. With the arrival of her little baby girl, the young mother, already used to her river accommodations, opts to stay with them. Life on the barge is no longer the same. Wang Wang feels the stirring of adolescence and an Oedipal attraction to the young woman; the grandfather is diagnosed with dementia and and is warned that its first signs could soon manifest themselves; and the new young mother keeps a bag whose contents will later reveal a dark secret. Three people at a crossroads in their lives..
The Hand That Feeds
The Hand That Feeds is a dissection of the gaze, terror and the space where it occurs. The tradition tropes of the genre are deconstructed through the grain of the image and the sense of sound while exploring the darkness of the woman in trouble mythology. Shot on Super 8.
Don’t Feed the Gulls!
The seaside towns of the New England coast are under attack by Mutant Seagulls! Mutants created by the carelessness and greed of mankind..
Video Inn Feedback
In the unauthored Video Inn Feedback, members of Video Inn explore the cosmic, seemingly limitless potentials of a camera and a monitor, pushing legible images into abstract plays of light and shape..
Climate Emergency: Feedback Loops
Subtitled in 32 languages and narrated by Richard Gere, Climate Emergency: Feedback Loops is a series of five short films, featuring twelve leading climate scientists, that explores how human-caused emissions are triggering nature’s own warming loops. The first film in the series, Introduction (13:09), provides an overview of the feedback loop problem. The four other short films explore important climate feedback mechanisms: Forests (14:10), Permafrost (10:55), Atmosphere (8:45) and Albedo (10:35)..
Don't Feed The Cat
Chloe (Ryan Lucy) finds a cat trapped in her sick grandfather's basement..
Feed Your Hole
An experimental short film about both a literal and metaphorical hole..
FeedBlackJect
Pascal Baes experiments with the reflecting feedback of a video projector in a meticulous interaction with a performance by his life companion Aï Suzuki. In post-processing, the images were digitally edited, which results in an expressionist, abstract study of the human body. With the help of various effects, Baes radically intervenes on the images, mutating shapes, penetrating textures and reconstructing his visual experiment into a psychedelic phantasm of the ‘corpus humanis’ and distorted sensuality. Demographical lines fuse together with shreds of human body and facial traits in a restless outburst of colour, lighting and movement, expanding in interaction with an electronic composition of sliding and lashing sounds into a claustrophobic experience..
Feed Me to the Squares
Following a morphing blob of flesh through an artificial landscape of urban textures we take part in a process of creation and adaption. From a simple square to increasingly complex moving patterns, the organic seems to get lost in the artificial which begins to dominate rhythm and structure of the world..
Atmospheric Feedback Loops
In a rural landscape approximately an hour due south of Amsterdam, an open-air laboratory is tuning into the atmospheric frequencies of nature. Separating the signal of climate change from the noise of cyclical variability. Since 1970 the Cabauw Experimental Site for Atmospheric Research has been measuring and monitoring the changes taking place in the feedback loops between land surface processes and the airborne dynamics of our planet. Studying the ways in which the complex behaviour of clouds, aerosols, radiation, precipitation, and turbulence interact with terrestrial events..
Feeding On The Living
Futuristic vampires come to Coney Island to cause havoc for Dave Slade, including one attractive blonde with alternative motives. Dave Slade must navigate through the dark night on Coney Island as the vampires come out to feed. Slade gets warnings from ex-CIA operative and a future 'hologram'..
Feeding the birdies
A cold and stormy day in South Sweden. I want to feed the little birdies and offer them some sunseeds. No birdie comes. The next day? Timelapsing, slowing down … ah! Here! Eine Kohlmeise! A birdie! 1/24th second … one frame, one bird..
